Aber diese Reduktion ist ja wirklich das was die Welt aus uns macht. Immer von Beckett ist eine technische Reduktion bis zum äußersten.“Was bedeutet Aufarbeitung der Vergangenheit” (1959).Advancing bourgeois society liquidates memory, time, recollection as irrational leftovers of the past.Philosophy of Modern Music (1973) as translated by Anne G.The law of complementary harmony already implies the end of the musical experience of time, as this was heralded in the dissociation of time according to Expressionistic extremes. Fatal: because all dynamics come to a standstill within it without finding release. If one is to take Lulu's twelve-tone chord as the integral totality of complementary harmony, then Berg's allegorical genius proves itself within a historical perspective which makes the brain reel: just as Lulu in the world of total illusion longs for nothing but her murderer and finally finds him in that sound, so does all harmony of unrequited happiness long for its fatal chord as the cipher of fulfillment - twelve-tone music is not to be separated from dissonance.129, as translated by Samuel Weber and Shierry Weber (1981) "Perennial Fashion - Jazz" (1978), Prisms, p. ![]() 'Give up your masculinity, let yourself be castrated,' the eunuchlike sound of the jazz band both mocks and proclaims, 'and you will be rewarded, accepted into a fraternity which shares the mystery of impotence with you, a mystery revealed at the moment of the initiation rite. The aim of jazz is the mechanical reproduction of a regressive moment, a castration symbolism.Perennial fashion - Jazz, as quoted in The Sociology of Rock (1978) by Simon Frith.Jazz is the false liquidation of art - instead of utopia becoming reality it disappears from the picture.Perennial fashion - Jazz, as quoted in The Sociology of Rock (1978) by Simon Frith, ISBN 0094602204.The gesture of adolescence, which raves for this or that on one day with the ever-present possibility of damning it as idiocy on the next, is now socialized. Merely to be carried away by anything at all, to have something of their own, compensates for their impoverished and barren existence. They call themselves 'jitter-bugs', bugs which carry out reflex movements, performers of their own ecstasy. ![]() Their applause, cued in by a light-signal, is transmitted directly on the popular radio programmes they are permitted to attend. As girls, they have trained themselves to faint upon hearing the voice of a 'crooner'. What is important to them is the sense of belonging as such, identification, without paying particular attention to its content. In general they are intoxicated by the fame of mass culture, a fame which the latter knows how to manipulate they could just as well get together in clubs for worshipping film stars or for collecting autographs.As quoted in The Dialectical Imagination : A History of the Frankfurt School and the Institute of Social Research (1973) by M Jay, p.When I made my theoretical model, I could not have guessed that people would try to realise it with Molotov cocktails.Kulturkritik und Gesellschaft (1951) this quote is more famously known in the forms " No poetry after Auschwitz" or " There can be no poetry after Auschwitz." Sometimes a more specific proscription is made, such as "No lyric poetry after Auschwitz." The influence of the underlying idea can be seen in such derivative statements as "No history after Auschwitz.".Full quote: Kulturkritik findet sich der letzten Stufe der Dialektik von Kultur und Barbarei gegenüber: nach Auschwitz ein Gedicht zu schreiben, ist barbarisch, und das frißt auch die Erkenntnis an, die ausspricht, warum es unmöglich ward, heute Gedichte zu schreiben.Writing poetry after Auschwitz is barbaric.Nach Auschwitz ein Gedicht zu schreiben, ist barbarisch.976, co-written with Else Frenkel-Brunswik, Daniel Levinson, and Nevitt Sanford The Authoritarian Personality (1950), p.Fear and destructiveness are the major emotional sources of fascism, eros belongs mainly to democracy.On high culture and popular culture, in a letter to Walter Benjamin (18 March 1936).Both are torn halves of an integral freedom, to which however they do not add up.People are not only, as the saying goes, falling for the swindle if it guarantees them even the most fleeting gratification they desire a deception which is nonetheless transparent to them. Quotes The phrase, the world wants to be deceived, has become truer than had ever been intended. 1.7 Lectures on Negative Dialectics (1965-66). ![]()
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